LIMITED EDITION PRINTS AND PORTFOLIOS

Below are details on each series including edition structure, sizes, paper and signature style. For print pricing and availability, please inquire with the galleries listed below. All limited edition prints and portfolios are produced under the direct supervision of the artist.

[NOTE: All sizes are in inches]

REPRESENTATION

PDNB Gallery
Missy Finger, Owner
Luisa Goldstein, Assistant Director
154 Glass Street, Suite 104, Dallas, TX  75207
info@pdnbgallery.com | 214.969.1852

Arnika Dawkins Gallery (Through Darkness to Light)
Arnika Dawkins, Gallery Owner
4600 Cascade Road, Atlanta, GA  30331
agd@adawkinsgallery.com | 404.333.0312

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THROUGH DARKNESS TO LIGHT: SEEKING FREEDOM ON THE UNDERGROUND RAILROAD series
2002 - 2016: Project Research and Principle Photography Completed

LIMITED EDITION INDIVIDUAL PRINTS Images were captured digitally and are printed in three different sizes: 18 x 12.5, 24.5 x 17 and 36 x 25 as digital chromogenic prints. The panoramic image, The River Jordan, is sized at 52 x 12.5, 70.75 x 17 and 104 x 25. Each print has a white border and  is either hand stamped, labeled and signed en verso by the artist or is accompanied by a signature label. Edition sizes are 12, 9 and 8 respectively [+ 3 artist proofs].

LIMITED EDITION PORTFOLIOS A limited edition portfolio was released at The Photography Show by AIPAD (April 2018) and includes 12 images selected by the artist interleaved with vellum sheets of printed quotations from those who played an integral part in the Underground Railroad. Each portfolio [1-15 + 3 artist proofs] contains a numbered book, a print of the documented route, title page, plate titles with location and date photographed, and a colophon sheet. All contents are produced to museum standards and are enclosed in a hand-crafted box made by Jace Graf at Cloverleaf Studio in Austin, Texas.

 

FALLOUT: A LOOK BACK AT THE HEIGHT OF THE COLD WAR IN AMERICA, CIRCA 1960 series
2013 - present: Project Research and Principle Photography Ongoing

Images are captured digitally and are printed in two different sizes: 24.5 x 17 and 35 x 25 as archival pigment prints with a white border. Edition sizes are 12 and 5 respectively [+ 3 artist proofs]. Prints are either hand-stamped, labeled and signed en verso by the artist or are accompanied by a signature label.

 

FRACK-TURED: SEISMIC ACTIVITY IN THE BARNETT SHALE series
2015 - present: Project Research and Principle Photography Ongoing

Images are captured digitally and are printed as archival pigment prints with a white border. Each print is part of a variably-sized edition of 10 [+ 3 artist proofs], with the largest image size of 54 x 38.5. Prints are either hand-stamped, labeled and signed en verso by the artist or are accompanied by a signature label.

 

FRAMES series
2000 - 2001: Principle Photography Completed

Images were captured on a large format 4x5 field camera and are sized at 23.25 x 19.75 inches on 24 x 20 inch paper. Series is in an edition of 15 [+ 3 artist proofs]. Five prints of most images in the series are available as traditional chromogenic prints, hand-printed by the artist. Remaining prints in the series are archival pigment prints.

 

BEFORE: THE PARKS ESTATE series
2007 - 2008: Principle Photography Completed

Images were captured on a large format 4x5 field camera and are part of a variable-sized edition of 15 [+ 3 artist proofs] as archival pigment prints.

 

WANDERLUST series
2002 - 2003: Principle Photography Completed

Images were captured on a large format 4x5 camera. Image size is 6 x 7.5 inches on 11 x 14 inch paper. A limited number of prints are available as traditional silver gelatin prints, hand-printed by the artist. The remaining prints in the edition of 25 are archival pigment prints.

 

FOOTSTEPS: THE STAIRCASES OF SAN FRANCISCO series
2000 - 2001: Principle Photography Completed

Images were captured on a 35mm Pentax camera. Prints are archival pigment prints and are available in two sizes: image size of 8.25 x 11.5 on 16 x 20 inch paper and 15 x 21 on 20 x 24 inch paper.

© 2017 Jeanine Michna-Bales